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Oil Paintings Come From United Kingdom
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POUSSIN, Nicolas
French Baroque Era Painter, 1594-1665 French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,

 

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POUSSIN, Nicolas The Victorious David af oil painting

Painting ID::  8609

X 
 

POUSSIN, Nicolas
The Victorious David af
c. 1627 Oil on canvas, 100 x 130 cm Museo del Prado, Madrid
   
   
     

 

 

POUSSIN, Nicolas The Death of Germanicus af oil painting

Painting ID::  8610

X 
 

POUSSIN, Nicolas
The Death of Germanicus af
1627 Oil on canvas, 148 x 198 cm Minneapolis Institute of Art, Minneapolis
   
   
     

 

 

POUSSIN, Nicolas The Martyrdom of St Erasmus sg oil painting

Painting ID::  8611

X 
 

POUSSIN, Nicolas
The Martyrdom of St Erasmus sg
1628 Oil on canvas, 320 x 186 cm Pinacoteca, Vatican
   
   
     

 

 

POUSSIN, Nicolas St Cecilia af oil painting

Painting ID::  8612

X 
 

POUSSIN, Nicolas
St Cecilia af
1627-28 Oil on canvas, 118 x 88 cm Museo del Prado, Madrid
   
   
     

 

 

POUSSIN, Nicolas Bacchanal: the Andrians af oil painting

Painting ID::  8613

X 
 

POUSSIN, Nicolas
Bacchanal: the Andrians af
1628-30 Oil on canvas, 121 x 175 cm Mus??e du Louvre, Paris
   
   
     

 

 

POUSSIN, Nicolas Lamentation over the Body of Christ af oil painting

Painting ID::  8614

X 
 

POUSSIN, Nicolas
Lamentation over the Body of Christ af
1628-29 Oil on canvas, 101 x 145 cm Alte Pinakothek, Munich
   
   
     

 

 

POUSSIN, Nicolas Midas and Bacchus (detail) ag oil painting

Painting ID::  8616

X 
 

POUSSIN, Nicolas
Midas and Bacchus (detail) ag
1629-30 Oil on canvas Alte Pinakothek, Munich
   
   
     

 

 

POUSSIN, Nicolas The Plague at Ashdod asg oil painting

Painting ID::  8617

X 
 

POUSSIN, Nicolas
The Plague at Ashdod asg
1630 Oil on canvas, 148 x 198 cm Mus??e du Louvre, Paris
   
   
     

 

 

POUSSIN, Nicolas Acis and Galatea stg oil painting

Painting ID::  8618

X 
 

POUSSIN, Nicolas
Acis and Galatea stg
c. 1630 Oil on canvas, 97 x 135 cm National Gallery of Ireland, Dublin
   
   
     

 

 

POUSSIN, Nicolas The Inspiration of the Poet (detail) af oil painting

Painting ID::  8619

X 
 

POUSSIN, Nicolas
The Inspiration of the Poet (detail) af
c. 1630 Oil on canvas Mus??e du Louvre, Paris
   
   
     

 

 

POUSSIN, Nicolas The Triumph of David a oil painting

Painting ID::  8621

X 
 

POUSSIN, Nicolas
The Triumph of David a
1630-31 Oil on canvas, 100 x 130 cm Museo del Prado, Madrid
   
   
     

 

 

POUSSIN, Nicolas The Empire of Flora af oil painting

Painting ID::  8622

X 
 

POUSSIN, Nicolas
The Empire of Flora af
1631 Oil on canvas, 131 x 182 cm Gemäldegalerie, Dresden
   
   
     

 

 

POUSSIN, Nicolas The Empire of Flora (detail) afd oil painting

Painting ID::  8623

X 
 

POUSSIN, Nicolas
The Empire of Flora (detail) afd
1631 Oil on canvas Gemäldegalerie, Dresden
   
   
     

 

 

POUSSIN, Nicolas The Triumph of Flora  sg oil painting

Painting ID::  8624

X 
 

POUSSIN, Nicolas
The Triumph of Flora sg
1631 Oil on canvas, 165 x 241 cm Mus??e du Louvre, Paris
   
   
     

 

 

POUSSIN, Nicolas Bacchanal before a Statue of Pan zg oil painting

Painting ID::  8625

X 
 

POUSSIN, Nicolas
Bacchanal before a Statue of Pan zg
1631-33 Oil on canvas, 100 x 142,5 cm National Gallery, London
   
   
     

 

 

POUSSIN, Nicolas The Nurture of Bacchus ag oil painting

Painting ID::  8626

X 
 

POUSSIN, Nicolas
The Nurture of Bacchus ag
1630-35 Oil on canvas, 97 x 136 cm Mus??e du Louvre, Paris
   
   
     

 

 

POUSSIN, Nicolas The Nurture of Bacchus (detail) af oil painting

Painting ID::  8627

X 
 

POUSSIN, Nicolas
The Nurture of Bacchus (detail) af
1630-35 Oil on canvas Mus??e du Louvre, Paris
   
   
     

 

 

POUSSIN, Nicolas Adoration of the Magi sgf oil painting

Painting ID::  8628

X 
 

POUSSIN, Nicolas
Adoration of the Magi sgf
1633 Oil on canvas, 160 x 182 cm Gemäldegalerie, Dresden
   
   
     

 

 

POUSSIN, Nicolas The Triumph of Neptune sg oil painting

Painting ID::  8629

X 
 

POUSSIN, Nicolas
The Triumph of Neptune sg
1634 Oil on canvas, 114,5 x 146,6 cm Philadelphia Museum of Art, Philadelphia
   
   
     

 

 

POUSSIN, Nicolas The Triumph of Neptune (detail) af oil painting

Painting ID::  8630

X 
 

POUSSIN, Nicolas
The Triumph of Neptune (detail) af
1634 Oil on canvas Philadelphia Museum of Art, Philadelphia
   
   
     

 

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POUSSIN, Nicolas
French Baroque Era Painter, 1594-1665 French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,